It is sometimes assumed that every cut in a piece of Maori carving must have a meaning, but in fact probably much of it is purely decorative. The number of carvers of the nineteenth century who had been taught by pre-European experts makes it highly probable that most of the teachers' knowledge was passed on to the pupils. There is no convincing evidence that the knowledge was too sacred to be handed on, as much information about equally sacred matters was revealed even to Europeans in the early days of the European settlement. It is a reasonable conclusion, therefore, that either the amount of symbolism in carving has been greatly exaggerated or that it had been lost by the time the Europeans came to New Zealand.
It is important to note that the figures in Maori carving, with very rare exceptions, are not religious, but secular. They do not represent idols, but rather renowned ancestors of the tribe. The nearest approach to idols were stone figures associated with agriculture and the so-called "god sticks" of which there are a few examples, mainly from the west coast of the North Island, in museums. These consist of a wooden peg about 18 inches long with a carved head on the upper end and the lower end pointed so that it can be stuck into the ground. Occasionally there are two heads, and sometimes the body or part of the body is shown. The tribal god was believed to enter the object when the shaft was bound with cord in a certain way and a fringe of red feathers was bound round the head as a beard. Without the binding the object had no religious significance.
Maori Hei-tiki
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Sheet size: 140cm x 100cm
Maori Amo 1
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Sheet size: 140cm x 100cm